Hello, my name is Simone, i from Sardinia Island and have 35 years old.

I independent Producer, Beatmaker and Songwriter and Pro technician strategist into music business industry in all facets and taboos.

In 2009 I thought about how to position my music and give it the right value, not being a well-off art child, nor find someone who actually moved something, I got tired of certain individuals and started independently a research path and studies in 360 degrees to understand and learn complex dynamics of marketing and the publishing industry chain, even if already in 2007, different ideas and intuitions were swirling through the head.

I wanted to understand the backstage "ghost" in order not to fall into apparently "advantageous" editorial agreements that had been proposed over time by well-known old school realities, agreements that I never signed despite the beautiful smiles and promises that leave the time that they find, therefore I still evaluate things today to the future and not to the present, giving the right value to the path of the past, which primarily arises out of need and not for "I have to make music because everyone makes it" and I must become famous, for me it is a mental therapy that satisfies me, amuses me and gives me satisfaction (this my charts on BEATPORT without major or publishing, i'am own all royalties without invest my music, nothing all money etc... only application strategist experience!)...

In this area you need to be prepared or at least rely on a person who directs you and tells you what to do and what not, the argument is true for those who do it for passion and is to do certain operations, such as online sales, physics, synchronization etc, both for those who work professionally with companies in the world, after all the music is multi-employment in various sectors and the outside there are names not known "ghost" that pass well in anonymity.

The Music market that is constantly evolving, the control of its repertoire is fundamental, in Italy we do not have many publishers who are innovating to, there are only a few "honesty" who really manage to do their job. note with concrete results, on the other hand there is a gap of decades in terms of skills and innovation compared to foreign realities, both as means and as business logic, obviously the multinational companies have always dominated the market, the media and the masses , following a very precise strategy linked to an appropriate communication, but among the talent and their strategy, to date joining the majors is not at all convenient, the talents are squeezed until the boat goes, the children of art always remain afloat , while the others disappear leaving most of their rights to publishers who make catalog and can do what they want, is the price to pay.

Having heard of various colors and viewing contracts of various realities, I always say, better to stay underground, understand something of the technical part or rely on someone independent and work on themselves, this is possible, it is not easy, but it is possible depending on the quality of the product and the needs of the world market.
I want to clarify that today we look at the number of views on youtube, but there is always a rule, the most important, counts the listening time not the total of views, which according to the context and the countries, generate a discreet take, there is a lot of chaos and misinformation with the factor "MONETIZATION" and above all there is only YouTube.
Both in the continent and here in Sardinia I have managed to lend a hand to several well-known realities regarding the setup of these operations.

In this phantom system, decidedly articulated there are people who earn a lot more than the BIG artists, simply with different strategies and good listening times, in fact they prove the reports, the theories in this field as in others leave the time they find and the words to the air many times create only confusion, instead it is necessary that all the interested ones know how it works and how to draw true profit from the quality of its product.

To date, a large part is thought to become known rather than create good music, notoriety is a consequence of something well done that takes a wider audience, compared to the one "driven" by the majors and the media, it is good to say above all to a part of the new generations.

To date I have had the opportunity to bring results and some economic satisfaction, I have had the opportunity to confirm many theories and insights on many "taboos" with experts in the sector of the old editorial guard, who smiling so often remained silent ... but this happened I know...

and.. this is my beats, many other soon! I search big team partner on Steemit