the similarity and motive any pressure on the rhythm

Next on the music accompaniment, the similarity and motive
any pressure on the rhythm, the weakness of the tone is sounded,
dynamics is set to avoid monotonous impression. In order to dance
not just patches, the dance context must depart from
a clear theme. Thus, the audience can read
dance picture with overall movement (balance), unity
(unity) dressing and clothing, as well as an atmosphere that is reinforced with
rhythm or illustration of dance accompaniment (harmony).

A character or delineation of the story in the dance
will read the meaning, when motion is not the only one
the media gets the right character makeup support,
fashion design that can give the impression and identity
the dance genre. Makeup and clothing help show
the type of female or male dancer, the fashion design
also explains the character of the character. All aspects are
become the main ingredient in the production process as a material
preparation of the overall performing arts between the material
the one with the other must be a unity.
For that, need to arrange or preparation of the serving structure
performance material.
Today, expressing themselves through works of art
dance more freely, growing, and acceptable
society, cross-tribe, genre, and cross-class
though. We can find the dance that once was
ceremonial dance that is hard to find. Now, easily and
more commonly found as in a common 'event'
done at a place or a show. Old times,
ceremonial dances are performed only at certain times
according to the needs of the local community. Now
this, we can see the Tabot Dance from Bengkulu presented on
a stage show or on a soccer field,
at a time that should not be the holding of the Tabot Dance
presented.
This may be due to the demands of the need
to introduce traditional art to all ma-
community, or to all countrymen and countrymen.
In fact, to a wider scope for the inter-
national. This needs to be socialized and in-go public
so we are proud of our own culture. Keep in mind
that the culture of the Indonesian nation can not be converted-
hands on to any country in the world. How do we
can say that a work of art belongs
we Indonesian nation if when asked about the origin of art
traditional, we can not answer it?