Turning Water Into Milk

in Time & Space5 hours ago

Yeah, when speaking about long-exposure photography, sometimes it doesn't take so long to motion-blur running water :)

Or falling water, to be precise.

Here, it was a bright day, so I have to close the aperture to the max and use a ND filter on my tripod.

Check out the metadata below if interested for more.

Somewhere in Northern Iceland.

DDH_9540.jpg

Copyright @LightCaptured 2026DDH_9540.jpg
Camera Body Model:Canon EOS 5D Mark III
Exposure Time:1.3 seconds
Aperture:f/22
ISO:50
Exposure Compensation:0
Focal Length:23
Lens Model:EF16-35mm f/2.8L II USM

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Buy my stock photos at Adobe Stock: https://stock.adobe.com/contributor/206416265/lightcaptured

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Copyright: LightCaptured

All the photographs, digital art and text in my posts, unless specified otherwise, are my own property and created by me.

Have a great day!

Here is an uncomplete list of some of my equipment I use on a regular basis:

Cameras
Canon EOS 5D Mark III
Canon EOS M5
Canon EOS 550D
Lenses
Canon EF 16-35mm f/2.8L II USM
Canon EF 135mm f/2L USM
Canon EF 100-400mm f/4.5-5.6L IS II USM
Canon EF 50mm f/1.4 USM
Canon EF-M 15-45mm f/3.5-6.3 IS STM
Canon EF-M 22mm f/2 STM
Tokina 11-16mm f/2.8
7artisans 35mm f/1.2
StrobesDynaphos Speedster
FlashesMetz
Tripods and Mono-podsManfrotto
Benro

The divider I use in my posts I have created in Adobe Express.

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El otro día justamente mirábamos con mi familia fotos del norte de Islandia y esos paisajes son increíbles. En mi experiencia, controlar la luz a f/22 y usar el filtro ND durante solo 1.3 segundos es clave para lograr esa textura en el agua sin quemar la imagen.

Lo que aprendí al ver tu foto es que 1.3 s a f/22 bajo el sol de Islandia convierten el agua en una seda líquida; ¿qué densidad de filtro ND empleaste? Sin vueltas, la vida me enseñó que la precisión del tiempo marca la diferencia.