Street life in Osanovo grove

The post will not be about life itself, but about a new perception of reality through an in-camera jpeg. About six years ago, I had my first attempts to take photos in jpeg at once. In general, until this year (except for the report) I've always photographed in raw.

There were such creative waves when I wanted to use an in-camera jpeg – the picture always seemed to be somehow different, more plastic (or plastic).

For many years, I've been moving towards keeping a shared archive, rather than keeping the unfastened reports separate from everything else.

And now this zen has arrived! I'm currently photographing everything in jpegs, except for night photography with a tripod.

And all because technology began to allow it. I've wanted and tried before, but neither the 6D nor the 5D mark 4 from Canon fully satisfied my needs.

Now the R6 mark 2 and R5 allow you to shoot the way you want without resorting to processing (unless it's night shooting, where you need to manually expand the dynamic range).

And I came to this one day, thinking during the next image processing and conversion from raw to jpeg that I practically don't touch anything at all...and if I start twisting something, it often only gets worse.

..And if we take it from a metaphysical point of view, then perhaps the frames are cleaner, without unnecessary interference, which means that they transmit memory code, energy, and all that better than processed ones.

All right. I noticed this a long time ago in the heyday of instagram, when you look at "filtered" photos with changed colors and excessive correction, they don't attract at all or even repel.

The processing should be invisible. When she doesn't steal attention, doesn't pull attention away from the main plot, then everything is right. And it's better to shoot right away so that you don't want to adjust anything.