You are viewing a single comment's thread from:
RE: Soviet Montage Theory and You! Part 3 - Counter Theories
Great post. Thanks.
I love The Royal Tenenbaums one shot scene on the bridge, back and forth between Margot and Eli, ending with the zoom to the PI.
Perhaps a time and a place for the edit muscle and a time and a place for the acting and/or camera rhythm muscle.
Power and good energy to you.
Yes Wes Anderson is great at creating specific rhythms for moments like that in all of his films! The most successful films, I think, use a combination as you say with camera movements, editing, and performance. It's all a balance!