Art Explained By A Writer - Foreman and Field Worker (1864)

in Tales & stories11 days ago (edited)

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Good day how's everything going?

According to plan

No changes or bears on the road.

No sir, everything is under control... You look worried... There's no reason to doubt my words.

The fieldworker observed the foreman standing next to his horse. Did that guy ever work?

It's the feminine, the foreman blurted, didn't you hear the latest news?

I beg your pardon.

Umcomfortable is how the fieldworker felt, uncomfortable about the word choice of the foreman. What did he mean? There was no need to ask since the agitated man continued: They want to ride horseback as well! As if they can sit up straight, they can handle such a powerful animal and have any strength in their legs, their hips...


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Stop it, the worker thought, why is it he ventilates his alpha shit attitude towards me? He faced the man and tried to look interested but his thoughts were with his wife. She always sat straight up and her legs were strong. As she ran towards him she reminded him of the frolicking foal in the meadow he had watched on TV years ago. She had the longest, strongest legs he had ever seen and could jump high... He smiled.

The foreman saw the expression on the face of the horseback rider. Aha, he thought, time to get back to work. He knew the address and would visit that woman and test if she could ride.

Hobbyhorse riding, the fieldworker yelled, you should have a look and try it yourself before you jump into conclusions!


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10.11.24
Painter: Prilidiano Pueyrredón
Painting: Foreman and Field Worker (1864) - public domain



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Una conversación entre hombres sobre las supuestas limitaciones físicas de las mujeres para montar a caballo, jajaja. Si supieran que somos capaces de hacer lo que queramos, lo que pasa es que aparentamos debilidad para que no "bajarle la autoestima a los machos", jajaja.

Como siempre, es grato leerte. Un abrazo.