Neon paint splashed. Part 2

The most banal name "Spring Palette" takes on colors at the sight of such reflections in puddles...or the meaning.

Then I started making hardly, that is, shooting as close and close as possible, so much so that there was no trace of reality left.

The asphalt and snow mush familiar to the eye began to look completely alien.

At first it seems as if there are so many bright illuminated signs in the city that reflections can be found at every step.

But not even every mall has suitable puddles.

Firstly, the owners of retail outlets are trying to remove the snow mush that is inconvenient for customers.

And secondly, many stores turn off their signage late at night to save electricity.

Diving into this mysterious world creates cosmic pleasant sensations.

And I want to review the result in the form of bright pictures for a long time.

I want more variety and endless shooting, as each time the plots turn out to be more interesting.

Even I can't believe that such simple things can be beautiful.

And all this surrounds us every day.

Such scenes can be filmed in summer with ordinary puddles.

But with snow mush in a puddle, it turns out even more mystical.

I like graphics because with the help of this genre, I reveal the world around me and others in a different way.

I show the ordinary in an unusual way, from a different angle.

And by the way, about the nuances of shooting: a telephoto lens is required for this.

And you also need to take into account that you can't shoot too close because of the properties of the lens, that is, the minimum focusing distance of a meter or so.

You have to zoom in and crop it often.

And you also need to clamp the aperture to the limit so that the depth of field is on the entire field of the frame.

But even this is not enough to make everything sharp due to the fact that the lens is at an angle to the plane being shot.

To be continued...