Anarchy in the dark sign of light

"""The streets of
Narakhi Chita , decorated with the publications of the streets, performed
the cremation ground,
demolished the school,
and faded by the blood of Vidyarthi .
Those who are also remembered, who are the great
poets who are artists who are
wise, point to the
only
light in anarchic darkness ,
abusive vicious
demon of
their destruction in the face of bloodshed rule in captivity .
......... ...... .. .........
brutality protest nikhade line
today or stimulate"""

my poems.

If I say that Buddhadev Bose is poet of this poem, is it very easy to believe? But its name is death ... and death is what changes people very well, changes their language of feeling, language expression! His little ignorance is found in this poem. After getting the brutal death news of Somne Chand, alternative intellectuals such as Budhadev Basu chose to make alternative poetic poetry poetry poems. Even after reading it, we understand that anger, mourning, rage and calamity in the death of Somne was aroused. Though he had time-consuming political absurdity, political death was also apparent, yet after the death of Somne Chand, the common mourning, mourning, anger, and agony gathered together, spreading writers-literary-artist-culture activists.

From 1 1920 to 1942 on 8 March long time? In this little bit of his birth of birth, he was becoming more prominent in politics, his literary career. With this dedication, stay away from the hierarchists to measure the distance of the commitement; Whatever we say, whether it is a symmetry or a solitude, it has kept its short life so bright that many people can not even do it for a long time. Somen's death still boils down to the communist movement and the suicidal simplified tactics of the national liberation movement. The symbolic prediction of this death is reflected in the subsequent communist movement, the leftist's desire and self-sacrifice.

Yet, the lack of political ambiguity around, Soman's commitment was not weakened. Rather, it is shameful to see Somen's concentration in upliftment of scheduled political programs in these non-goal areas. The birth date of his birth as a footnote in the lower middle-class family and childhood and adolescence is unknown to all. After passing the matriculation, on one hand, on the other hand, plurisse or bronchitis has to eliminate the reading of the medical school at the University of Miffford. Not just medical education, but also academic education. His father was unfriendly, and he was not willing to let the boy do his job. But the father's heart touched Somen's mind. A few days before his death, he said to one, 'fix a task, or it will break away.' This was the economic aspect of hardship. But it was linked to another symptom, which was cultural, which was cultural. Shree Samindrakumar saw in his self-citation the feeling of the feeling, Somn said to him, 'Where are you read? Matriculation - I do not understand reading good English books. Esau, what would I say Comrade, if I knew English?

None of the many political political revolutionary groups of Dhaka could pull the city. He wrote several monthly and weekly articles in Dhaka, a monthly paper in Srihatta. Even in Calcutta, in some weekly and monthly newspapers including 'Country'. At that time, when the age of seventeen came into contact, the communist party came in contact. Satish Pakrashi came to Dhaka in Dhaka. The leader of the Terrorist Revolutionary Party, Soman, was shaken by the words of this leader, - The work of revolution could also be on the path of literary works. Somnay came in the way of revolution this way.

South Mahesandi - The quarters of Somnay's residence - Here in the late 1938 the Communist offices were established. Marxian politics is where he initiates. In the middle of 1939, he developed the Pragati Library in the area. It was understood in 1939 that at the time of the literature that he would engage in a broader range of movement. Then he went to Calcutta first. Living with Nirmalchandra Ghosh Somen said to Nirmalachandra, negative attitude towards Pragati Sahitya movement.

Calcutta must win. ... in our Bengali middle class society inevitably crushing. But sadly, in the intellectual society - ie those progressive writers, they do not even spare - everyone has recoiled inside. They say a lot, I do not know, believe anything or not. ... but do not know that within this middle class society, one group will go down; The priests of the coming revolution will come out from within them.

In 1939, this branch of Pragati Lekhak Sangha was established in Dhaka. Somen Chanda was one of the original entrepreneurs. He was the co-editor of the Sangha. At the same time, he was also working as Railway Workers Union and in 1941, he was elected as the secretary of the Dhaka Railway Workers Union, which was then located on one side of Bahadurabad Ghat and Bhairab on the other.

Among these, I used to write almost regularly. Many were surprised to see his unfailing vitality. Mr. Achyut Goswami was surprised or surprised once, after working all day, you wrote so much, when you see, you are amazing. Somen Chand joined the working class. And self-contradictory nature was already. He had to speak in shy-shy voice, but I can not write today if the railway is not among the workers all day.

Somen found the place of his literature, the background, and the general idea of ​​what he or she has in the literature and the content of his literature. The literary movement of Dhaka has created different aspirations and enthusiasm for various reasons. Rabindranath Tagore and Sarat Chandra's literature began to experiment in various examinations to liberate the content and form from 1928-29. This attempt started around Pragati monthly magazine under the editorship of Buddudev Bose and Ajit Dutt. Jibanananda Das was also on the list of Pragati's list.

Then ten years passed. In 1939, due to the experience of the monthly progress, the writers were able to build a progressive writer association in Dhaka. Sajjad Zaheer was the general secretary of the central structure of the association in undivided India. Although it seems uncommon, it is true that renowned writers of Bangla literature including Abu Sayeed Ayub, Suren Goswami, Hirendranath Mukherjee were associated with the mission, activities and activities of this organization. These goals and programs were taken from the 'League Against Imperialism and War' led by the French author Romano Rolan and Ryan Barbus. In the interest of unity of the class, in keeping with the untimely development of the Communist Party, at the time of workers and peasant movements, especially in undivided Bengal, in the subcontinent, The Pragati Lekhak Sangh meets an inevitable condition to develop the consciousness of the people in order to polarize the class. The organization has tried to meet literary social commitments by attempting to connect with the masses with literature. Dr. Muhammad Shahidullah wrote about this initiative, "In the second half of 1939, this association was formed after getting attached to the provincial Pragati Lekhak Sangha. Among the entrepreneurs, it is necessary to name the names of Satish Pakrashi, Jyotirmoy Sen, Ranesh Dasgupta, Somne Chand etc. First of all, our work was limited to rabbit chatting. The efforts of creating progressive literature were our meditation. "Among them Satish Pakrashi is the most popular of the Andaman rear revolution, age is his highest. Somen Chand is the youngest. Kiran Shankar Sengupta is the author of modern poetry, Amrit Kumar Dutta is the son of Sukumar Dutta, a popular teacher of Bengali Collegiate School and a Bengali translator of the famous Italian novel Fontamar. And Ranesh Dasgupta's age is only twenty seven.

Dhaka Pragati Lekhak Sangha was formally inaugurated in mid-1940, in the Gendaria High School premises. The conference was chaired by Kazi Abdul Wadud. In association with the work of the Sangha, the author of the Bengali novel, the author of Faridpur's tribal Shri Achyut Goswami, his elder brother, Professor Nripen Goswami, a young professor of philosophy, and after the Revolutionary of Chittagong, Sannyasi Saralanda Swami, who was then attracted to Marxism, Name: Saralananda Sen and 26/27 Jyotirmoy Sengupta - Six years imprisoned communist in a political robbery case in Dhaka in 1932. The prison makes Jyotirmoy Tibashi patient. But after getting released in 1938, after being actively involved in organizational activities, he and firstly introduced Bangla literature readers with German revolutionary poet and playwright Bertold Brecht. He wrote Vijay Sengupta. Apart from this, Dhaka played an important role in establishing rail workers union in Dhaka. He died in 1944.

Although he was busy working for trade union, Somain was the only regular member of the authors association. Feeling embarrassed about his author, he did not want to introduce anyone. Samindra Kumar Hoar wrote a memorabilia and wrote that Somen tried to grab it once he read his writing. Shri Achyut Goswami also wrote that he used to read a few short stories in the Sangha meeting, or did not read a total of three or four stories in two years.

Such kind of behavior was written under the pressure of 'Banaspati'. In 1939, a group named Pragati was brought out by the association of the Pragati Lekhak Sangh, the Calcutta Branch, under the editorship of Surendranath Goswami and Hirendranath Mukherjee. Then Ranesh Dasgupta proposed to get a compilation from Dhaka. Instant decision; Even who will write what is also fixed. The words of the writings should be nominated at the meeting of the Sangha. Because of this decision, Somne Chand was forced to read the front of the first meeting of the Sangha. The compilation of the group was printed in the Crown and it was written by Somnen's writers Banspati. Soman himself was the publisher of this revolution. It was written only by young writers of Dhaka. And all these writers and readers of Bangla speaking language of these years can learn about the progressive literature of young people of Dhaka. Controversies play an important role in writing the writings of Kolkata writers with the writers of Dhaka. A few days later, this magazine came to Dhaka from Kolkata, including Subhash Mukhopadhyay, Binoy Ghosh and many more.

Show that the tranquil creativity in the 'Banspati'. A big perspective emerges from this short story focusing on the evolution of society. Although Shri Achyut Goswami noted that the story of 'Danga' was the first story of Somen in Sangam's meeting and communal riots were going on in Dhaka at that time, but from different information, it seems that 'Banspati' was the first writing in his Sangh meeting. Because the publication of 'Banspati' 1940 And there was a fierce communal riot in Dhaka City and Raipur thana in April 1941. Communist Party was banned in 1940. Then the active party members of the Communist Party, which became active became active. Somen was one of those who were active in the control of communal riots in Dhaka. In the effect of his autobiography in 'Danga', it is more appropriate that he wrote 'Danga' in 1941, in no way was before the 'Banpati' published in the revolution, before 'Banpati'. The story is also written in one place, Nawab's house has been searched. Needless to mention, in the riots of 1941, Muslim League patron Nawab Bari was actively involved.

In the 'riot', we find Somain's separate structural and oral stanzas. He wrote the whole story or used to speak about the flamboyant, very lonely as if the loneliness of the night is the story of his story. He is terribly upset about the inhumanity of the riots or the evil direction. Basically the story is subjacent and a communal implementation of the riots through small images. There parents are confused, anxious; Communist ideology and thoughts of the wrong container bisabaspe infected younger brother elder brother 'meaningless humanitarian tragedy "excited to continue to see. Many stories have been written about the riots, successful films have been created with a story of Samresh Basu. But Somen's 'riot' is different from that of the subversion. If not uninterrupted, the horrifying physical nudity of the riots - which is killing human morals, It was not possible for Somen to present it so nasty in reality. Before he could see that he was not excited himself before creating the art of nasty reality, he was frustrated.

Even the seemingly insignificant, politically uninterrupted song 'Story' also implies that Soman is becoming a place of literary literary. He is particularly interested in a middle-class family, but the beauty of the life he met, natural affection, human axiom, and the whole of his life. These writings were written in the second phase of his literary career. But the story of the first episode of his versatile first-timer can not be denied by the story of this second episode. Shri Achyut Goswami openly wrote, "If the stories were written in the first generation of a famous writer of Bangladesh, he could not find any reason to be ashamed of them."

One of the best short stories written about Bengali middle class people is 'Matsur' written in Somen. He wrote a few days before his death. In the meeting of the Sangha, he could not read the writing himself because the body was not good. I was stopping again and again. A rehearsal of the story was read in the meeting of the Radio Radio. Shri Achyut Goswami later admitted that after listening to the story, everyone who was present there was overwhelmed. At first he felt that he could not write such a story himself.

This discussion of the 'rat' comes in the context of Somne's concurrence. The story of the very common poverty-stricken middle class family has grown up, in other words, this story is Somain's own. Disadvantages of the world, the lack of happiness in relation to poverty is more painful, there are so many rats that have not been able to survive. Demonstrate the status of mice and poverty in the face of poverty and show the true face of the so-called glory of our middle class. This position of middle class is so brilliant that every person in that class is constantly afraid to be afraid. There, a little mouse came and drank milk bought by many sweethearts. Mother's eyes are 'tortured like cow's eyes' in these incidents, and after returning home in the evening, parents get excited at level level, By reaching the final stage of the tension, by addressing the wife as 'Satan Magi'. When the insulted and rejected mother is forced to sleep at night in the sons' house and calls the boy in a vaporous voice, then after all this, the boy is ashamed to answer immediately.

Then Somen Chanda wrote,

'The history of the midnight is more surprising.'

Suddenly a voice came up in the voice of a voice. I heard that the father was calling very low.
'Kanak, Kanak, sleeping?'

Parents are calling the name by name. Feels heavy excellent. I gave my father back to my father; I started looking for love from him. One day Sukumar, the young man will call his wife by the name of her, and every house will echo in her music.

The next day the father laughs. Mother also laughs. Laughing laugh Nearly seeing the affair, ran twice to two people and then saw his mother laughing and said, 'What has been done? Why laugh like that? Dad gave you a katukutu?

After more than a day, the father started laughing like a fool.
"It's nothing, but a few rats have been caught."

The story of the middle class is like this. A tiny class like a rat is nasty to look for the sweetness of life, does not realize its own ugliness, but if it is awakened, it can not escape but leave the circle. Somen unveiled itself in this self-consciousness,

If the path of heaven is closed, we stand at the middle of the path, but we neglect our life very much if we possess life, sing the doctor for the sake of nature, or worship God as an ascetic monk. One day I decided to see that if someone in the sea of ​​sorrow is drowning, then this middle class is the middle class. ... I wrote letters to a friend in a mysterious mysterious language: 'Who do you know? They are the best children in the world, but they do not die. The flowers are dry and dry, they are so on the ground. They are making gardens, but the flowers are not decorated. There is plenty of needles inside the stomach, but not begging. Mocked Mocked

By writing 'rats' Somen, writing will not be incompatible that the first section of the left-hand column was introduced in the original Bengali language. Manik Bandyopadhyay's influence in Somen's writings, claiming that Shree Kiran Shankar Sengupta But this demand does not wash away because all the stories including Somnath's 'sign', 'riot', 'mats', but the story of Manik tells us the story of the second phase, ie the Marxist episode - for example, 'Passengers of Chhota Bakulpur', 'Haran Natjamai' , 'Artist' etc. That is, 'Nowadays Parshu's Story' etc. are written before. So it's hard to comment on who influenced who. Rather, it seems to be the main role of Somne Chand's role in creating the leftist literature.

As it has been said before, this death was absolutely unnecessary, unexpected. After more than fifty years after this death, unfortunately, this death was the result of the political error of his party-organization. The Second World War in 1939 was the battle of imperialists. The Communist Party is united by opposing this war, The evolution and history of workers workers peasant movement of that time is proof of that. In 1940 the Communist Party was banned. In this fight against British imperialism, the allies of the Communist Party were Congress and forward blocks, even the RSP. But on 22 June 1941, when the Hitler forces attacked Soviet Russia, the Communist Party presented the wrong doctrine of the war. In the political arena of the sub-continent, then the Communist Party failed to apply the principles of international fascist forces of international communist movement, Joseph Stalin's political partner George Dimitrov, and the theory of fighting against imperialist forces of their own country. The anti-imperialist power of the alliance supported the British imperialist government by pushing the forward movement of forward movement forward and blocking the RSP forward. Shri Jnan Chakraborty later commented on this tactics that

In some meetings the entrepreneurs and speakers were arrested and sentenced for a long time. Although compelled to join the alliance with Soviet pressure on public pressure, the evidence of the incidents in which the imperialist British fears the popularity of the people of India, in view of the fear of raising the attitude of Soviet.

Even then, the Communist Party did not recognize British imperialism as the basic enemy. On the other hand, the forward blockade of the Communist Party's anti-Communist Party, and the demolition of the RSP, became so fierce in the party's limitations that the common people were close to the general population.

Under such circumstances, on March 3, 1942, at 3pm in the afternoon at Sutrapur, the Soviet Suhrid Samiti came under attack by the Forward Bloc and the RSP on the way to bring a procession of Somne Chand railway workers at an anti-fascist conference. Somen was killed extremely brutally. His eyes are lifted on the open street, the tongue is taken out, the whole body is hit with a knife, and the stomach is scratched with a banquet. However, it was not possible to take away the red flag from his hand till his death.

This fact is now included in history, it was possible only through the death of Somainee that positive polarization against fascism of the leading writers of Bengali literature. Munir Chowdhury, Sardar Fazlul Karim, Syed Nuruddin, Sanaul Haque, Kabir Chowdhury and Syed Waliullah were present in the role of his successor in the context of this incident in Dhaka. After his death, the book 'Two Signs and Other Stories' (December, 1942) and 'Banspati' (1351) were published in two stories. So far, 25 stories, a novel, two solo plays, a poem have been recovered from Somen. After the independence of Bangladesh, 'Somne Chand's Storytelling' (October, 1973) came out with 17 stories in the editing of Ranesh Dasgupta, who was unknowingly unworthy. But it is now dysfunctional. After the Bengali Academy Somne Chand published the works, but due to the marketing system, it is still beyond the reach of the reader.

Therefore, Somen is now forgotten. Literary Somen Chanda spent a large part of his life in politics and his death was completely political. He wanted to get rid of the impoverished life, he did not even get the freedom in the literary movement, despite being enlightened literature he took part in direct politics. But the politics is now well-remembered to remember him. He has survived him many misery, he has written stories about the gap in politics.